Piano Lessons with Nathan Liow

From the beginning of Play It Safe's development the idea of authenticity has been really crucial, and so it's very important to me that we portray the events in the film as accurately and realistically as possible. In the film's second act, Jamie (the film's protagonist, played by the very talented Nick Kato) gets a job as a piano teacher and we spend quite a lot of time watching him work at the music school. I knew early on that this was something we had to get exactly right. I want all the musicians and music teachers out there to feel like we have done them justice and portrayed the realities of their day to day work accurately (and hopefully with pathos).

To help us out with this, Play It Safe's composer Nathan Liow (who also happens to work as a piano teacher) has been taking Nick and myself through some of the basics. We had our first lesson late last year, and we had our most recent one a couple of weeks ago.

These lessons are great fun (I usually get to pretend to be a 5 year old student), and it's been fascinating to learn more about teaching music to children.

One highlight of our last lesson was an impromptu piano solo from Nathan just before we finished for the evening. I feel really lucky to have witnessed such an intimate performance, and it made me more excited than ever about the performances that we are going to film for Play It Safe. Nathan will be playing a lot of the music in Play It Safe and, judging by what I heard then, he will be bringing something very very special to the table!

Here's some photos from our last lesson / catchup:

Rehearsal & Gear Test

Just a quick update today. The last few weeks have been very productive and all the pieces are starting to fall into place. This culminated in our first big workshop / rehearsal / gear test on Friday night.

We spent the evening completely going over one scene with sound, lighting, two cameras, and even some costumes. We covered all conceivable angles, from establishing wide shots to extreme close-ups and my next task is to play around with the footage in the edit to work out how we want to cover the scene for the real thing. Jaque and I have already spent a lot of time talking about how we want the film to look and how the film's visual development should support the thematic development. This process of mocking up scenes and then trying things out and edit is really the final stage of defining how we want to execute the film's visuals, both aesthetically and practically.

I was pretty preoccupied operating B camera on Friday night, so unfortunately I didn't get a chance to take any behind-the-scenes pictures. Here are a few stills from the footage though:

Many thanks to Nick, Spencer, Jaque, Maia, and Dan for all your hard work on a Friday night!